Formal Film Study: Korean Comedy/Dramas

South Korea is a very unique nation. It's history goes back thousands of years but much of it consists of conflicts with neighboring countries like Japan and China. By the beginning of the 20th century things don't get much better for Korea being under Japanese occupation during the Second World War and then into a civil war right after. In fact, technically South Korea is a relatively new country. Despite the prolonged conflicts and political complications in the past, South Korea has been able to get back on its feet very quickly and even become a world superpower economically. Interestingly enough, because of American influences, Korea has developed culturally throughout the decades especially in the film industry. Korea was first able to produce movies regulated by the government but eventually it became a practiced commercial industry where even today, some Korean films exceed that of many Hollywood movies. To see for myself on how far Korean cinema has gone, I decided to watch three Korean comedy/drama films since this genre is what Korean media is famous for. The three films are (in the English titles) Marathon, Take Off, and Hello Ghost.

Korean films are very different from American Hollywood movies. The style, acting, cinematography, etc are all aspects that make a good film, but Korea tends to execute these differently than what we're used to. When they movies to specific genres, they really like to emphasize the "drama" or "comedy" in their films. What I mean by this is that I've noticed that Korean acting in very dramatic scenes are VERY dramatic. It's as if Koreans have really mastered an art to playing into the emotion and use the perfect amount of context, acting, and music to make a scene so sorrowfully beautiful. In contrast, comedic situations tend to be a lot more uplifting and family-friendly for the audience. It's like Korean films experiment mostly on the extremes of movie genres and hardly touch the middle end. The best way I can really describe Korean comedy is that in American eyes, they may see some scenes as kind of cheesy or childish. The way the actors react and the music in the background is all a little too giddy, but the thing is that those who are accustomed to Korean culture and understand way the dialect, it's perfectly normal and funny.

One of the movies that I watched is called Marathon, a 2005 film directed and written by Jeong Yoon-chul. The movie is about a mother and her autistic son struggling to live a normal life. However, the mother finds it more difficult as the years go to have her son accepted into society and maintain a broken family. The only thing she and her son find solace in is his remarkable enthusiasm and talent for long-distance running. After months of training with an alcoholic ex-marathon runner, the son hopes to accomplish running a marathon under 3 hours in hopes to make a champion of himself and make his family proud. This film obviously just screams major drama from the story itself with the whole disabled son and his mother training for a sports goal. This movie really takes you into the lives of this mother barely able to support her family and still has to take care of a 20 year old autistic man. It makes you feel for this mother as if you are the one struggling too. This movie really fits with the Korean drama style as it really does emphasize the emotional aspect. Korean writers and directors tend to focus on the emotional appeal of the movie to make the plot more riveting and alive. That's what Marathon really did a good job with as watching this movie makes you live with the family and feel just as happy or sad as they are in the movie.

The next film I watched was Take Off, 2009 sports film directed by Kim Yong-hwa. The movie is about the first Olympic ski jump team from South Korea in 1998 and their struggle to train, get national support, and get along with each other. What you can see from this movie is some American Hollywood influence in it starting with the fact that it's somewhat of a cliche sports film consisting of dissimilar teammates, a coach to bring them together, and even one of those training montages that makes the team pro in 5 minutes. However, most of this film expresses so much about Korean culture and cinema style. First, the whole story revolves around a rookie sports team doing an unknown/unpopular sport in a very conservative nationalistic nation. All throughout the movie you get to experience Korean culture first hand with context of Korean family lifestyles, Korean mentalities, and even shots of rural and urban Korea. In terms of cinematic styles, this movie especially demonstrates my previous point in that its comedic scenes are very uplifting and cheerful. But its dramatic scenes are full of intense shots, beautiful music, highlighted angles and slow motion to really push into the emotions of the audience. This piece is a great example of showing the extremes of comedy and drama in Korean cinema while also putting in some Hollywood flavor into it. It really is no surprise to see that it so well with nearly 53 million dollars in the box office according to Wikipedia (Wiki article).

The final movie I saw was my personal favorite of the 3. In actuality, it's one of my now favorite movies. It's called Hello Ghost and it was made in 2010 directed by Kim Young-tak. The story follows a suicidal man who falls short of death after many attempted suicides. However after his closest attempt, he now has the ability to see ghosts who unfortunately use his body for their own free will. In order to rid these ghosts out of his life and body, he must go on a self-discovering journey to help each ghost in their favors to put them at peace. This movie was honestly the prime example of my previous point for the Korean movie style. Take Off was a good example too, but this one really demonstrated exactly what I said. The movie starts out really slow and cheesy in the beginning that it really kind of tests your patience as a viewer. But seriously, the movie grows on you with its clever plot outline and its use of back and forth humor and drama technique. Throughout the movie are so many scenes that I would say can be considered kiddish or childish meant for comedic humor, yet its drama scenes are so surreal and moving that it makes the audience want to cry. And when I mean kiddish, I really mean it looks like it was meant of elementary kids with the playful music and the cute icons. Just take a look at the trailer, and tell me you can't see this movie being any funny or eye-watering sad (Hello ghost trailer). Definitely not the kind of trailers you see in American movie theaters. However, despite this different style, this movie has proven itself a widely acclaimed success. So successful in fact, that Chris Columbus, director of the first couple Harry Potter movies, is actually planning on remaking this movie in an English version (Chris Columbus remaking Hello Ghost)


What I noticed about these movies is that they all really express Korean lifestyle and culture throughout their scenes and shots. That goes for any foreign film, but Korean films in particular tend to really demonstrate their culture by having the characters involve themselves in activities, restaurants, or home-life as if to show to foreign audiences how life in Korea actually is. For example in, Take Off, you see all sorts shots of rural Korea and the local farmers that work there. It shows the lifestyle of Korean vegetable and rice farmers and the traditional side of Korean culture.The movie also demonstrated some of Korean traditional family values through the side story of one of the athletes and his extremely strict father especially in one scene where the father is beating his son with a golf club for ski jumping instead of helping the family restaurant. Another example is in Hello Ghost, where there will be shots of the main character eating certain Korean foods in restaurants, watch animations, and even show urban home-life where he shows how a typical middle class Korean lives in the city. The movies show profound examples of Korean culture whether they are subtle or right at your face which is what I believe is part of Korean national pride. South Korea tends to demonstrate a lot of national pride and they'll try to demonstrate this in as many ways possible. In this case, they even attempt to do so in their movies.

Here are the full movies of Take Off and Hello Ghost with English translation. Marathon is actually on Netflix instant access.

I haven't really gotten into Korean films until a couple years ago when I started watching them with my dad. The difference between watching Korean films and American ones is that I can personally relate to Korean movies with my own Korean values and traditions which make them that much more entertaining to me. Especially after watching these movies, I plan to watch a lot more of them and hope that Korean cinema will make a larger impact in world media.

MYST #4: Sunshine

The sun is without a doubt the most important form of energy that makes life on Earth possible. Scientifically, it's the reason plants grow, animals flourish, and literally make the earth move. It's the closest star to us averaging about 93 million miles from Earth and is also about 1.3 millions times larger than Earth. It gives off solar rays that has provided light and heat for our planet for millions of years. It's the center of our solar system and just a speck in a dust cloud of other stars in our galaxy. It's Earth's life source and unfortunately it doesn't last forever. In the eventual future (but luckily not in our lifetime), the sun will die and Earth will cease to exist. But will mankind be advanced enough by then to do something about it? Is preventing the sun's demise even reasonable? If you watch Sunshine, the movie will take you on a sci-fi adventure that will make the impossible possible.

The trailer is the clip above. Sunshine is a 2007 sci-fi film about the sun slowly dying threatening the extinction of all life on Earth. The movie was directed by Danny Boyle (127 Hours and 28 Days Later) and follows a small crew of scientists that risk their lives to save the sun and the human race. In the near future, Robert Capa, played by Cillian Murphy (Batman Begins and Inception), is part of the space crew of scientists in an umbrella-shaped ship called Icarus II whose sole mission is to reignite the sun through a nuclear fusion reaction from the ship. After a failed mission of Icarus I with the same purpose, the crew of Icarus II must face dangerous obstacles and challenges that may compromise the mission and destroy the ship. As humanity's last hope, the team risks everything in their power to make sure that the sun stays alive.

Icarus II

This movie was a combination of thriller, adventure, and science-fiction. It keeps you on the edge of your seat like any suspenseful movie should, it provides a decent storyline for the adventurous aspect, and it's special effects are remarkable and cool to keep the sci-fi fans out there happy. This is definitely one of Danny Boyle's least remembered movies but his credibility is still prominent in this film. He's really good at making the conflict the characters face very intense. You can tell that conflict is a major focus of Boyle's works. This is exemplified in his previous movies like Slumdog Millionaire where the main character went through conflict against corruption and poverty in his life, and also in 127 Hours when the main character had to make a life or death decision in the hole he was trapped in. In Sunshine,conflict seems like a never ending theme because after one problem the crew has to fix gets solved, another one immediately follows. And these aren't easy problems either. Danny Boyle plays around with the psychological aspect of the characters by presenting conflicts ranging form physical dilemmas to controversially moral issues. 

Robert Capa

The cast of this movie actually consists of several familiar actors. One of the stars here is Cillian Murphy. Cillian Murphy is a very good actor in my opinion and plays his role rather well. I feel like he specializes in the roles where he needs be sophisticated, serious, and emotional only when necessary. In the movie, he plays Robert Capa, a physicist in the crew in charge of igniting the bomb. As that character, Murphy needed to show a side of intelligence and ingenuity which isn't the first time he's done this. In Batman Begins, you can see his role as a dark yet genius character playing the enemy Scarecrow. Another famous actor in this movie is Chris Evans (Fantastic Four and The Avengers). Compared to his previous roles in Fantastic Four or even in his newer movies like Captain America, he is not an actor I can get really see to play in such a dramatic and intense movie. In the Fantastic Four series, he is suppose to be the comic relief which shows his humorous side, but in Sunshine he is suppose to be this tough assertive engineer. It was kind of hard to take him seriously, but in actuality, he did pretty decent in his role to keep that serious mood.

The cinematic elements making up this movie consisted of all kinds of shots. The calm and relaxing scenes just used basic still long shots to establish the setting of the ship and close ups for the character dialogue and facial expressions. In contrast, the intense edge-of-your-seat scenes used shaky camera angles and quick discontinuity editing to disorient the audience in confusion. The use of lighting was not as demonstrated because it was all in a confined ship so everything was lit up like it would be in a spacecraft. But for some of the most memorable shots, the movie used silhouettes of the characters in front of the sun to show it in awe and its relative beauty and power over the characters. When the movie would show the scenes of the ship itself it focused a lot on extreme long shots to establish the ship relative to the sun. This element was vital to show how minuscule the people were to take on such an enormous task. The contrasting sizes demonstrates how insignificant the characters and the ship seemed and really plays into the idea of helplessness into the audiences' minds. Can the crew really pull this off? Or is it just a hopeless journey?

A very powerful scene of the movie I'd like to focus on is the scene were Capa has to actually fly through space. Without trying to spoil too much of the movie, I'll try to explain it as best as I can. By this point in the movie, the ship Icarus II is close enough to the sun that the payload, or the nuclear bomb that will reignite the sun, can detach from the rest of the ship and head straight for the sun to do its thing. However, through a series of prior complications in the ship, Capa ended up trapped on the ship only to soon be destroyed by the sun's solar rays due to the removal of the mirrored shield. Knowing that staying any longer will get him killed, Capa must do the unthinkable by suiting up and literally take a leap of faith across to the payload before it launches so he can manually ignite the bomb. Throughout this scene many cinematic aspects are shown. First the music in the background is a symphonic piece that emphasizes the suspense of the scene and its dramatic importance to the plot. The scene uses quick shot changes showing Capa, the clock counting down, and the ship itself. It mostly switches shots between Capa's face in his suit, and shots outside his suit to show his most complicated struggles just to escape and his utter desperate expressions on his face. With reference to the clock countdown, the scene gradually builds up suspense until the climax where he actually jumps across to the payload. On a literary analysis, this scene signifies a major importance to not only the plot so Capa can save the world, but also his character development. Previously throughout the movie, it was shown that Capa had a demonstrated fear throughout the mission of the sun whether it was failing the mission or dying in the solar abyss. But this scene shows that he had to overcome his biggest fear (again a conflict of man vs self that Boyle emphasizes) and prioritize the mission over anything else. 

Click Here to watch this pretty awesome memorable scene.

Capa's Leap of Faith

I thoroughly enjoyed Sunshine. It was intense, entertaining, cool, and in some ways inspiring. This is the kind of movie that had a lot more meaning into than it looks. There was much symbolism and ideological philosophies used in the story and character development was very vital. The story's use of a kind of "what would you do in that situation?" theme is constantly portrayed making the audience cringe over the many conflicts the characters in the movie had to go through. However, the one thing that kind of bothered me was the whole realism of the movie. For example, how does the ship have it's own gravity for the crew members to easily walk? Or how can the mirror shields possibly withstand the solar rays? Maybe the fact that it's a sci-fi movie is enough reason for me to just accept the logic of those questions, but still I don't remember any explanations. Also I had some problems with the intro of the movie. I felt that Boyle could have probably put in a more explanatory introduction to the journey rather than just start straight to it after Capa's whole inner monologue. However overall, this was definitely one the better modern sci-fi movies I've seen but not something worth seeing twice. I'm going to give this movie a 7/10.